Perhaps the greatest session pianist/keyboardist ever to grace a Nashville recording studio, Hargus "Pig" Robbins maintained an amazingly prolific career from the late '50s on into the new millennium. Robbins was born in Spring City, TN, in 1938; an accident with his father's knife resulted in the loss of an eye, and he went completely blind before the age of four. He started taking classical piano lessons at age seven, and as he advanced, he learned to play country music by ear, particularly that of his idol, Tex Ritter. Robbins played the Nashville club scene after graduating and got his first session gig helping a friend record his demo. He subsequently joined the musicians' union and got his first big-time exposure on George Jones' 1959 hit "White Lightning." Over the next few decades, Robbins played behind a who's who of country music, recording with Patsy Cline, Loretta Lynn, Dolly Parton, Connie Smith, Tanya Tucker, Crystal Gayle, Ernest Tubb, Waylon Jennings, Willie Nelson, Bobby Bare, the Statler Brothers, Gary Stewart, and Kenny Rogers. Additionally, his appearance on Bob Dylan's 1966 classic Blonde on Blonde created demand for his work among folk (Joan Baez, Peter, Paul & Mary) and pop/rock artists (John Denver, Doug Sahm, the Everly Brothers, Ray Charles, Tom Jones, et al.). Robbins recorded his first solo album, A Bit of Country Piano, in 1963 and issued three more solo records on the Chart label during the late '60s. Robbins later returned to solo recording for Elektra, issuing a trio of albums -- Country Instrumentalist of the Year, A Pig in a Poke, and Unbreakable Hearts -- over 1977-1979. Over the '80s and '90s, Robbins was able to maintain his standing as Nashville's top session keyboardist with a new generation of contemporary country stars, playing with Randy Travis, Alan Jackson, Travis Tritt, Mark Chesnutt, Vince Gill, and Reba McEntire, among others; he also backed alt-rock pranksters Ween on their 12 Golden Country Greats album of 1996. ~ Steve Huey, Rovi
