About Randy Houser
Those positive vibes of renewal ripple through Houser’s three consecutive No. 1 hits, “How Country Feels,” “Runnin’ Outta Moonlight” and “Goodnight Kiss,” which recently became Houser’s first No. 1 as a songwriter though he has written numerous hits for artists over the years. “How Country Feels” was his first-ever No. 1 at radio, and both it and “Runnin’ Outta Moonlight” earned RIAA Platinum certifications. All three songs are from Houser’s Stoney Creek Records debut, How Country Feels, which was released in early 2013. Upon release, the title track and lead single sparked a wildfire of accolades and media appearances including: CONAN, NBC Nightly News, NBC Weekend Today, CBS’s “On The Couch,” FOX & Friends, Better TV and many more. It also gave Houser his first American Country Award for Most Played Radio Track: Male in 2013.
Houser cut How Country Feels with producer Derek George, a long-time friend and fellow Mississippian he had wanted to work with for over a decade. It’s been called “a buoyant, hook-filled outing” (Washington Post) that’s infused with “a balance of revelry and introspection” (Milwaukee Journal-Sentinel) and shows off Randy’s powerhouse voice, hailed “one of the best in Nashville” by Great American Country (GAC) and numerous other critics.
Houser’s past contains no shortage of achievement, as it includes multiple nominations for ACM and CMA Awards, a No. 2 single in the form of “Boots On,” and songwriting credits for major names such as Trace Adkins, Justin Moore and Chris Young. In 2008—mere months after the release of his debut single, “Anything Goes”—Houser was even asked by David Letterman himself to appear on The Late Show. The singer’s first full-length album, Anything Goes, came out later that year, followed in 2010 by They Call Me Cadillac which spawned hit “Whistlin’ Dixie,” and fan-favorite “A Man Like Me.”
But despite this early success, Houser now admits that he wasn’t truly happy. “It seemed like professionally things weren’t as great as they could be, and that was part of it,” he says. “But the biggest thing was not having a home base.” Shortly after, Houser signed with new label home Stoney Creek Records based in Nashville, Tenn.
“Everybody there feels like part of my family,” Houser says of the independent imprint, where he happily signed following a long stretch of intensive touring. (How intensive? Think 150 shows a year.) “You walk in the door and everybody seems really happy with their job; there’s no strife in the air. That’s really important for me to have right now. It’s comforting.”
New tracks on How Country Feels echo the title single’s sunny self-assurance, including “We’re Just Growing Younger” and “Along for the Ride,” which Houser co-wrote with Zac Brown. “We were playing a festival and I just had this song rolling around in my head,” Houser remembers of the latter. “I stayed up till about 5 in the morning but then got stuck. So I called up Zac and we went on his bus and knocked it out of the park.”
There is contemplation, too: “Like a Cowboy,” which is Houser’s latest single, is about “me coming home for a few days, then having to leave again,” Houser says. “Route 3 Box 250D” provides an intimate snapshot of the singer’s upbringing. “That one’s kind of hard to listen to,” he admits. “It hits almost too close to home.” Billboard calls the song “stunning,” and The New York Times writes, “His voice here is almost wholly different, thicker and more throbbing, a caldron bubbling over. For a few minutes he’s the singer Nashville won’t let him be.”
As for the sound of How Country Feels, Houser says it’s his most expansive outing yet, with more bells and whistles than he’s used in the past; it also showcases the remarkable voice that led Vince Gill to call Houser “one of the best in the new crop of country singer-songwriters” and pal Jamey Johnson to say, “I watched a blind man jump to his feet and drop his crutches the first time he heard Randy Houser sing.”
And since the release of How Country Feels, critics have echoed those claims in reviews, with MSN writing “Houser is hands down one of the best male vocalists in Nashville,” and quoting Dierks Bentley as saying, “It’s kind of ridiculous how good of a singer he is.”
Still, the heart of the album—of Houser’s entire outlook right now—remains the story of a man who’s moved through darkness into light. “I feel like I’ve reached such a special moment,” he says, and it’s a true pleasure to hear him inside it.
Feb 03 FridaySt Louis, MO, US Ballpark Village
Mar 04 SaturdayWest Palm Beach, FL, US Perfect Vodka Amphitheatre at the South Florida Fairgrounds
Apr 28 FridayIndio, CA, US Empire Polo Club