Martina McBride, Rascal Flatts, Trace Adkins Score Big at CMA Fest’s LP Field Show

American Idol Stars Scotty McCreery, Lauren Alaina Make Guest Appearances

Somebody find that girl a musical to sing in.

Martina McBride electrified the CMA Music Festival crowd Saturday night (June 11) at Nashville’s LP Field with a show-stopping rendition of her 1997 hit, “A Broken Wing.”

The tumultuous cheers literally did stop the show for nearly a minute in a setting where applause tends to be loud but very brief.

McBride’s reception demonstrated once again — as if further proof was necessary — that she has a voice meant for musical theater and the narrative sensibility to make her lyrical proclamations hit home. Her vocal delivery hit decibels somewhere in that wide-ranging territory between Ethel Merman’s feral yowls and Judy Garland’s tear-soaked confessionals.

“I wish you all could know what that feels like to me,” McBride said when the applause finally faded away.

Other high points of the four-hour-plus show included the surprise performances of American Idol winners Scotty McCreery and Lauren Alaina (the former during Josh Turner’s segment and the latter during McBride’s) and a classic pop finale by Rascal Flatts and Little Big Town.

Also performing were Trace Adkins, Chris Young, Big & Rich and Gretchen Wilson, Clint Black and Thompson Square. Bluegrass stalwarts Dailey & Vincent opened the proceedings with a tenor-straining vocal take on the national anthem that soared higher than the highest flag pole.

Forsaking his usual black hat, Young charmed the crowd with a program that embraced both the romantic (“Gettin’ You Home,” “Tomorrow” ) and the comic (“Save Water, Drink Beer”).

Little Big Town bowed in with “A Little More You” but then fully engaged the crowd with a rocking country treatment of Lady Gaga’s “Born This Way.” The foursome closed with “Boondocks” and earned a volcanic roar of approval for the effort.

Clint Black came out and seated himself on a stool at the side of the stage beside his guitarist for a three-song acoustic set. The first of these was, he said, a new song, “Not Everything’s Gonna Go My Way.” Jauntily inviting the crowd to sing along, he then launched into his tongue-twisting and impenetrable “The Galaxy Song.”

Black dedicated his last selection, “Something That We Do,” to his wife, actress Lisa Hartman. He noted the two will celebrate their 20th anniversary in October.

“I’m taking half the credit,” he declared.

Turner got a rock star ovation when he ambled onto the stage and began caressing hearts with “Would You Go With Me.” He followed with the decidedly less cozy “Long Black Train,” his first hit.

But the audience volume really ramped up when McCreery emerged to join Turner on “Your Man.” It was a very audible testimony to television’s ability to create a star virtually overnight.

After a 16-minute set switch, Big & Rich and Gretchen Wilson came on to do one song, their current single “Fake I.D.” It will probably be used as an insert in the ABC-TV fall special that chronicles each year’s CMA Fest.

Trace Adkins, a man with a voice booming enough to follow Big & Rich’s stage histrionics, did just that by opening with “Whoop a Man’s Ass.” He rambled on with such naughty pleasers as “Hillbilly Bone,” “Swing,” “Ladies Love Country Boys,” “Honky Tonk Badonkadonk” and the radio-reviled “Brown Chicken Brown Cow.”

But his most touching moment came when he sang his current single, “Just Fishin’,” a hymn to parent-and-child bonding.

Alluding to the recent fire that destroyed his home, Adkins thanked the people for their “expressions of sympathy and generosity.” But he told them to donate their money to other causes.

“We’re OK,” he assured them.

The duo Thompson Square and a guitarist came next with a two-song acoustic set of “I Got You” and the duo’s first No. 1 single, “Are You Gonna Kiss Me or Not.” On the latter, the crowd sang along — always a good sign.

McBride held steadfast in her set to her catalog of hits, from “Independence Day,” with which she closed the show, to “Teenage Daughters,” her current single.

She announced she will have a new album out on Oct. 18 and introduced a song from it that she said she hoped would serve to lift people up, “I’m Gonna Love You Through It.”

Alaina joined her to sing “Anyway” to the crowd’s obvious delight. The two embraced at the end of the song.

Then came the annoying part of the evening, during which the crowd was used as props for the TV special, hectored into waving lights that had been handed out and cheering on cue through three different takes to simulate the special’s opening scene.

While all this was going on, Rascal Flatts waited patiently on a platform to do its first song surrounded by the audience. They did their remaining songs from the main stage.

McBride left the stage at 11:20 p.m. but Flatts didn’t begin singing until 30 minutes later.

The final segment was relatively brief as Flatts breezed through “I Won’t Let Go,” “Here’s to You,” “Praying for Daylight,” “This Everyday Love,” “Fast Cars and Freedom,” “Why Wait” and “Life Is a Highway.”

For their finale, Flatts offered up a blistering version of Boston’s “Foreplay/Long Time.” Then they invited Little Big Town out to cap the closing with a medley of Kansas’ “Carry On My Wayward Son” and the Edgar Winters Group’s “Free Ride.”

Most of the audience was still there standing and cheering when the stage lights went out and the fireworks exploded at 12:23 p.m.

View photos from Saturday night’s concert at LP Field.
Edward Morris is a veteran of country music journalism. He lives in Nashville, Tennessee, and is a frequent contributor to